Screenplay is well paced till the interval after which it shifts unnecessarily towards an average climax. The love portions are a delight and kudos to the director for spending enough time on it to show how much important it plays in the movie. Teja has put his commercial attire for this so called political thriller, but the sad part is that it lacks focus on its political drama and the plot forgets to show Rana’s volcanic rise in a convincing way. Cinematography is good especially depicting the love sequences. For a dubbed movie, the songs and BGM looksĪmiss. Navdeep and the rest of the cast do what they are intended in this political drama. Catherine Teresa’s role is wasted and could have been either avoided or modified on a better note. Kajal Aggarwal in her 50th film could not have asked for a better role as lovely and mature wife who loves her husband’s pampering. With his tall and defining image its no surprise when he oozes that aggression, but his gentle side is done smoothly as he keeps referring as Radha Jogendhra to show how much he loves his wife. NAAN AANAIYITTAL 2017 WIKI MOVIERana after in a number of multi starrers has proven that he can weigh the movie with his star power. Rana Daggubati, Kajal Aggarwal, Catherine Tr. So what happens when the hero loses his focus on why he started his hunger for power, what happens to his love life meanwhile forms the rest of the story. Naan Aanaiyittal Movie Song Teaser Jogendra Jogendra on Suresh Productions. In his journey he encounters a journalist (Catherine Teresa) who is completely out of sync with her role limited to more objectification, glamor and just to take the screenplay ahead when the story suffers a setback. But its not the transformation that hurts and you actually start loving it, but its ushered and taken so swiftly concentrating more on the daunting CM task. With all these happenings, his love is set aside and the story shifts to focus more on his ruthless transformation and starts ticking those commercial checkboxes when a simple hero rises to the occasion in a grand manner. He becomes a Village head, an MLA, a Minister and, take a deep breath, aims to be the Chief Minister. His political journey begins, all for the sake of avenging his darling wife's unspeakable tragedy. The tragedy triggers the lion and venom within Rana who goes on an aggressive power spree and breaks everything that comes on his way. A sudden turn of events and a hard hitting emotional tragedy strikes the pair and sends them down a deep lane of despair. Rana – Kajal love has been picturized and dealt in a more respectful way considering that the romance changes the personality of Rana over time. As a small time cheeky money lender, his love for his wife forms the center plot of the story. He completely goes into the role and shows a lot of variety as his character demands. Naan Aannayittal is Rana show all the way. With Rana, Kajal Aggarwal, Catherine Teresa, Ashutosh Rana and Navdeep in the lead, this Telugu dubbed movie looks to make trends with its commercial content, let's find out what's in the store. Naan Aaniyittal has Rana as Jogendhra a hero who climbs the political ladder in aggression, the shades are similar to what Pallalvathevan could do for power, but shown from a hero's perception. Their best known composition were in Naan Yen Pirenden and Idhaya Veenai.Let's remove Rana's role as Pallalvathevan for a minute and try to imagine him as a modern day hero, pretty hard right. Musician duo Shankar Ganesh composed music for 2 film s of Jayalalitha – Maharasi in 1967 produced by Devar Films and Vandhale Maharasi in 1973 directed by K.S.Gopalakrishnan. Aattukara Alamelu was a turning point in their career. Their first independent release was Magaraasi in 1967. After Jayalalitha became a huge star she recommended Devar Films to give musician duo Shankar Ganesh their debut film as a music director in the film Maharasi starring Ravinchandran with Jayalalitha. This went on for 28 days before the first show happened in 1965. Sandhya used to make food and give all artistes breakfast and lunch. Shankaraman, musician duo Shankar and Ganesh used to come to play music. Kaveri Thanda Kalaiselvi was a Natya Nadagam (Dance Drama) wherein Jayalalitha was main lead and rehearsals used to happen at her house with all artistes and musicians coming to her house and doing practice. After Kannadhasan's death, Shankar Ganesh had their titles changed to " Kavinger vazhangiya thevarin" Shankar Ganesh The film was stopped, so Kannadhasan took them to Chinnappa Devar and requested him to give them a chance. Kannadhasan started his own film Titled "Nagarathil Thirudargal" in which he introduced Shankar Ganesh as music directors. Ramamoorthy in 1964 and later the duo assisted M.S.Viswanathan alone from 1965 till 1967. They started as assistants to Tamil music composers M.
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